Classical and Romantic Music
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19th Century Music
19th-century musicology
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Allegro Vivace
Allgemeine Musikalische Zeitung
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Beethoven's Violin Concerto
Beethoven’s Violin Concerto
Brahms's Hungarian Dance
Brahms’s Hungarian Dance
Camilla Cai
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Claire A. Fontijn
Clive Brown
Continuous Vibrato
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Daniel Leech-Wilkinson
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Des Concerts Du Conservatoire
Dexter Edge
Donna M. Di Grazia
Dorottya Fabian
Early 19th Century Music
Early Music Movement
Early Music Performance
Edward F. Kravitt
Emanuel Rubin
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expressive tempo analysis
Gesellschaft Der Musikfreunde
historical performance practice
John Potter
Jose Antonio Bowen
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Laurence Dreyfus
Mark Katz
Mendelssohn's String Quartet
Mendelssohn’s String Quartet
Metronome Markings
Michael D. Green
Mozart
music interpretation research
Neal Zaslaw
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performance notation studies
period instrument techniques
Period Instruments
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quartet
Robert Toft
Roger Freitas
Sarah Martin
scholarly articles on musical performance
Slurred Staccato
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string
Tempo Modification
Tempo Rubato
Ti Ti
Tobias Matthay
Viennese Court Theatres
Violin Playing
Voi Che Sapete
Wolfgang Amadeus Mozart
Product details
- ISBN 9781032919058
- Weight: 980g
- Dimensions: 169 x 244mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
David Milsom, who has written widely on nineteenth-century performing practice, is the author of Theory and Practice in Late Nineteenth-Century Violin Performance 1850-1900 (Ashgate, Aldershot, 2003). He is an active violinist and violist, specialising in late nineteenth-century violin performing practice and an experienced instrumental teacher. He is a lecturer in music at the University of Huddersfield.
