Classical Art

Regular price €51.99
A01=Caroline Vout
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Age Group_Uncategorized
Alessandro Albani
Ancient art
Ancient Greece
Ancient Greek art
Ancient Greek sculpture
Antiquities
Apelles
Apollo Belvedere
Arch of Constantine
Archaeology
Art history
Author_Caroline Vout
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Belvedere Torso
Capitoline Museums
Category1=Non-Fiction
Category=ACG
Category=AGA
Category=HBLA1
Category=NHC
Classical antiquity
Classical sculpture
Classicism
Collecting
Contemporary art
COP=United States
Culture of Greece
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Discobolus
Drapery
Engraving
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eq_nobargain
eq_non-fiction
Equestrian Statue of Marcus Aurelius
Farnese Hercules
Giambologna
Glyptothek
Grand Palais
Greek art
Greek mythology
Hadrian
Hadrian's Villa
Hellenistic period
Herculaneum
Iconography
Illustration
Isabella d'Este
Italian Renaissance
J. Paul Getty Museum
Language_English
Late Antiquity
Lateran
Literature
Lorenzo de' Medici
Mary Beard (classicist)
Metropolitan Museum of Art
Museum
Neoclassicism
PA=Available
Pediment
Pergamon
Phidias
Plaster cast
Pottery
Praxiteles
Price_€20 to €50
Protogenes
PS=Active
Ptolemaic Kingdom
Residence
Rijksmuseum
Roman art
Roman Empire
Roman sculpture
Royal Collection
Scopas
Sculpture
softlaunch
Spolia
Statue
Suetonius
Treatise
Uffizi
Vatican Museums
Venus de Milo
Villa of the Papyri

Product details

  • ISBN 9780691177038
  • Dimensions: 203 x 254mm
  • Publication Date: 29 May 2018
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.

What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.

A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.

Caroline Vout is Reader in Classics at the University of Cambridge and a Fellow of Christ's College. Her books include Sex on Show: Seeing the Erotic in Greece and Rome, The Hills of Rome: Signature of an Eternal City, and Power and Eroticism in Imperial Rome.