Classical Concert Studies

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Anne Sophie Mutter
arts management
Audience Development
audience engagement strategies
audience experience
baroque improvisation
Berliner Philharmonie
Berliner Philharmoniker
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chamber music concerts
Chamber Music Hall
Chopin
Classical Concert
classical concert management
Classical Music
classical music and society
Classical Music Audiences
Classical Music Business
Classical Music Concerts
classical music in Europe
classical music in Germany
Classical Music Industry
classical music management
classical music performance
classical music programming
Classical Music Scene
classical music sociology
concert experience
Concert Formats
concert halls
concert studies
concert Theory
contemporary art music
contemporary classical music
contemporary performance practice
cultural policy music
cultural studies
Das Konzert
digital music technology
empirical aesthetics concert research
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ethnomusicology methods
Franz Liszt
Historical Performance Practice
Iannis Xenakis
Mozart
music industry studies
musicology research
orchestral concerts
performance analysis
Season Ticket
sociology of music
sound studies
Specific Listening Situation
Technological Reproducibility
twenty-first century classical music
Vice Versa
Vienna Philharmonic
Vienna soundscape
Wolfgang Amadeus Mozart
Zuyd University

Product details

  • ISBN 9780367531263
  • Weight: 760g
  • Dimensions: 178 x 254mm
  • Publication Date: 06 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future.

Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.

Martin Tröndle is the WÜRTH Chair of Cultural Production at Zeppelin University, Germany, and a principal investigator of ECR—Experimental Concert Research, a project that investigates aesthetic experience in the classical concert. He is also Co-Editor-in-Chief of the peer-reviewed Journal of Cultural Management and Cultural Policy.