Classical Hollywood Cinema

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A01=David Bordwell
A01=Janet Staiger
A01=Kristin Thompson
Author_David Bordwell
Author_Janet Staiger
Author_Kristin Thompson
Canterville Ghost
Category=ATQ
Category=ATX
Category=JBCT
Category=NH
central
Central Producer System
cinema historiography
Classical Hollywood Cinema
Deep Focus Cinematography
detailed
Director Unit System
division
Epes Winthrop Sargent
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
evolution of American filmmaking practices
Expository Title
famous
film
Film Firms
film production systems
Fireman
Henry King
Hollywood Mode
industrial film organisation
labor
Long Shot
Magnificent Ambersons
Mercury Vapor Lamps
mode
Motion Picture Engineers
Moving Picture
Moving Picture World
multiple
Multiple Camera Shooting
Multiple Reel Film
narrative structure analysis
Package Unit System
Panchromatic Film
players-lasky
Producer Unit System
Production Practices
reel
Superb
technological innovation cinema
visual storytelling techniques
Young Man

Product details

  • ISBN 9781138126671
  • Weight: 1370g
  • Dimensions: 189 x 246mm
  • Publication Date: 29 Sep 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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'A dense, challenging and important book.' Philip French Observer

'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits

'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times

Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations.

Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing.

The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system.

The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty.

Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

David Bordwell, Janet Staiger, Kristin Thompson

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