Classical Hollywood Film Cycles

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1930s Hollywood
1940s Hollywood
1950s Hollywood
1960s Hollywood
A01=Zoe Wallin
Author_Zoe Wallin
Beach Blanket Bingo
Beach Party
Beach Party Films
Biblical Epics
Category=ATFA
Category=ATFN
cinematic distribution patterns
Classical Hollywood
Classical Hollywood Era
Classical Hollywood Period
Cycle studies
Cyclic Development
Ehrlich's Magic Bullet
Ehrlich’s Magic Bullet
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition practices
Film
Film Cycles
Film genres
film historiography
Film history
Film seriality
Gangster Pictures
Girl Friday
Hollywood
Hollywood Canteen
HUAC
HUAC Investigation
industrial context of Hollywood cycles
media industry analysis
Media seriality
Muscle Beach Party
Post-Classical Hollywood
Prestige Pictures
Prestige Productions
Production Schedules
Scarlet Empress
seriality in cinema
Seriality studies
Social Problem Films
Stage Door Canteen
Star Reporter
Star Spangled Rhythm
trade discourse studies
Tv Market
U.S. cinema
U.S. film
United States Navy
US cinema
US film

Product details

  • ISBN 9780367199531
  • Weight: 710g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles.

By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films.

This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.

Zoe Wallin is a Research Associate in the Department of Screen and Media at Flinders University, South Australia.

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