Classical Music Industry

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A01=Chris Dromey
A01=Julia Haferkorn
Anna Bull
arts management
Atholl Swainston-Harrison
Author_Chris Dromey
Author_Julia Haferkorn
BBC Music Magazine
Brendan Monaghan
Brian Inglis
Brian Kavanagh
Category=AV
Category=AVLA
Category=KC
Category=KJ
Category=KJC
Category=KJU
Category=KJVX
Category=KNT
Christina Scharff
Clarinet Concerto
Classic FM
Classical Music
Classical Music Concerts
Classical Music Industry
Classical Music Organisations
Classical Music Practice
Classical Music Profession
Classical Music Scene
Classical Music Sector
Concert Etiquette
Creative Industries
Cultural Management
cultural policy research
Dawn Bennett
diversity in music professions
Early Career Musicians
East Asian Players
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eq_business-finance-law
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eq_music
eq_nobargain
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Glen Kwok
IMSLP
International Artist Managers
Julia Haferkorn
Marius Carboni
Masa Spaan
music business models
music industry studies
Non-traditional Venues
performing arts careers
professional pathways in classical music
Public Musicology
Sarah Osborn
Sellinger's Round
Sellinger’s Round
Sophie Hennekam
Southbank Centre
Susanna Eastburn
UK Film
Upcoming Music
Van Cliburn International Piano Competition
Vice Versa
Young Men

Product details

  • ISBN 9780367512262
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 May 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright.

The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today.

This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail

The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.

Christopher Dromey is Associate Professor in Music at Middlesex University, UK.

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Julia Haferkorn is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK and Director of production company, Third Ear Music.

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