Classical Rhetoric and the German Poet

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A01=Anna Carrdus
Ahnung Und Gegenwart
ars
Author_Anna Carrdus
Baroque literature
Buch Der Natur
Category=DSBC
Category=DSBD
Category=DSBF
Category=DSBH
Category=DSC
Classical Ars
Consolatory Tradition
De Constantia
der
Der Natur
Der Poesie
Der Rhetorik
deutschen
Direct Apprenticeship
Divine Fury
drang
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eq_biography-true-stories
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General Ars
German Literary History
German poetics
influence of classical rhetoric on German poetry
Joseph Von Eichendorff
literary theory analysis
Low Style
Mid-line Caesura
poeterey
poetic composition methods
Political Poetry
Recollective Imagination
representation
Rhetorical Ars
rhetorical tradition
Romantic era poetry
Seine Theile
sturm
Sturm Und Drang
Sturm Und Drang Literature
Sturm Und Drang Writer
und
Vice Versa
vivid
Vivid Representation
von

Product details

  • ISBN 9781900755023
  • Weight: 486g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Oct 1996
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study relates theory to the details of poetic practice. it presents Opitz, Burger and Aichendorff as representatives of their times and demonstrates how they adapt the classical arts to their particular talents and beliefs. All three poets are shown at work within a tradition flexible enough to persist even into the present. The author shows how the influence of rhetoric on German poetry did not vanish in the mid-18th century, as is widely supposed. The firts chapter briefly comapres theoretical statements by martin Opitz and the 20th century poet peter Ruhmkorf. it uses the comaprison to introduce two main arguments: thta classical rhetoric and poetics exert a persistent though constantly changing influence on the composition of german poetry; and that the theoretical precepts and natural talent are mutually interdependant. These arguments are developed through the examination of works by three German poets, taken from periods of major literary change. Opitz is representative of the Baroque, Burger of the "Sturm and Drang", and eichendorff of Romanticism. Three main chapters reconstruct the working method of each poet, applying his own theory and that of near contemporaries to detailed analysis of one of two of his poems. This procedure illustrates how each poet adapts rhetorical and poetic traditions to his own personal talent and to the literary preoccupations of his time.

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