Claude Simon

Regular price €92.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Alina Cherry
Aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Author_Alina Cherry
automatic-update
Category1=Non-Fiction
Category=DSB
Category=DSK
Category=HPN
Category=QDTN
COP=United States
Cultural Studies
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Francophone Literature
Language_English
Literary Studies
PA=Available
Philosophy
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9781611478969
  • Weight: 490g
  • Dimensions: 161 x 235mm
  • Publication Date: 16 Aug 2016
  • Publisher: Associated University Presses
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Claude Simon: Fashioning the Past by Writing the Present considers the aesthetic, cultural, and philosophical facets of a temporal paradox in the works of French novelist Claude Simon (1913-2005), and its broader implications for the study of narrative, and for cultural and post-modern theory. This paradox emerges from the problematic representation of the past through an aesthetic rooted in an exclusive valorization of the present. In his 1985 Nobel speech, as well as on other numerous occasions, Simon expressed a fascination with simultaneity through the provocative claim that he never wrote about the past, but attempted to capture only what was happening during the writing process, that is, in the “present of writing,” as he put it. Simon’s seemingly unambiguous claim raises significant issues and contradictions that become extensively apparent when the statement is considered in the light of his fictional works, since these must be construed, for the most part, as explorations of the past. In this study Alina Cherry propose to look at the tensions that arise from this paradox, and examine the present of writing holistically—that is both as a stylistic device and within the thematic context of Simon’s works—in order to assess its capacity for becoming an instrument of ontological and epistemological inquiry that can also intervene powerfully in the decisive philosophical and socio-political debates that have animated the cultural landscape of post-World War II France. Simon’s vivid portrayals of suffering and devastation open new ways of understanding the impact of some of the most traumatic historical events of the twentieth century: the two World Wars and the Spanish Civil War. This impact is necessarily connected with a need to tell these events, and to tell them in highly innovative ways, namely by creating a distinctive style that revolutionizes the outworn narrative traditions of a world whose very foundations have been shattered by the chaos of war and effectively undermines various institutions and dominant socio-cultural structures, revealing implicitly and explicitly, a strong ethical vein.
Alina Cherry is assistant professor in the Department of Classical and Modern Languages, Literatures, and Cultures at Wayne State University.

More from this author