Clyfford Still - The Artists Materials

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A01=Barbara A. Ramsay
A01=Susan F. Lake
Abstract Expressionist
Action Painters
Ad Reinhardt
Age Group_Uncategorized
Age Group_Uncategorized
art
Author_Barbara A. Ramsay
Author_Susan F. Lake
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Barnett Newman
California School
Category1=Non-Fiction
Category=ABC
Category=ACX
Category=ACXJ
Category=AGA
Category=AGB
Category=AGC
Clay Spohn
Clement Greenberg
Clyfford Still Museum
Color-Field
commercial
COP=United States
David Anfam
Dee Ardrey
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Diane Still Knox
discoloration
Edward Corbett
eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental
fabrics
fading
Fine
Fine Art Appreciation Day
frames
Franz Kline
gesture
Grace Hartigan
Harold Rosenberg
Hassel Smith
Helen Frankenthaller
inorganic efflorescence
Irascibles
Jackson Pollock
Joan Mitchell
Jon Scheuler
Language_English
Lee Krasner
LIFE magazine
Man Ray
Mark Rothko
materials
metal soaps
methods
Michael Leja
New York
PA=Available
painting conservation
Peggy Guggenheim
Phil Guston
pigments
Post-Painterly
Price_€20 to €50
priming
PS=Active
Richard Diebenkorn
Robert Lodge
San Francisco
sizing
softlaunch
supports
surface coatings
Susan Landauer
techniques
tube paints
Type Painting
underdrawing
Willem de Kooning
William Shank

Product details

  • ISBN 9781606066959
  • Weight: 666g
  • Dimensions: 150 x 250mm
  • Publication Date: 05 Apr 2022
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks-including more than 800 paintings-that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors' materials research project and enriched by their unprecedented access to Still's artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of the artist's materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of Still's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. The richly illustrated narrative is complemented by a series of technical appendices and a full bibliography.
Susan F. Lake recently retired from her position as director of collection management and chief conservator at the Hirshhorn Museum and Sculpture Garden in Washington, DC Barbara A. Ramsay is chief conservator at the John and Mable Ringling Museum of Art. She was the first conservator for the Clyfford Still and Patricia Al Still Estate.

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