Coastal Environments in Popular Song

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anthropocene studies
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Band Stand
Barren
Beatles
Big Yellow Taxi
bioethics in music
Bobbie Gentry
British Seaside
Category1=Non-Fiction
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Category=HBTB
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Climate Change
climate change themes in pop music
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Daryl Hall
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Endless Summer
environmental humanities
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Global Bioethics
Island Girl
Lady Marmalade
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Literature Review
music and social identity
Natural Beauty
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Paradise Beaches
Pop Stars
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protest songs analysis
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Rasta Beliefs
Roots Reggae
Sex Work
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solastalgia research
South California Coast
Sule Skerry
Sunny
Urban UK
White Album
Wo

Product details

  • ISBN 9781032137964
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book examines how popular music is able to approach subjects of bio-politics, climate change, solastalgia, and anthropomorphisation, alongside its more common diet of songs about love, dancing, and break-ups – all while satisfying its primary remit of being entertaining and listenable.

Nearly a thousand books have been published on bioethics since Van Rensselaer Potter’s Bioethics Bridge to the Future (1971), with a marked increase in the past 20 years. However, not one of these books has focused itself on popular music, something Christopher Partridge describes as ‘central to the construction of [our] identities, central to [our] sense of self, central to [our] well-being and, therefore, central to [our] social relations’. This edited collection examines popular music through a range of topics, from romance to climate change.

Coastal Environments in Popular Song is perfect for students, scholars, and researchers alike interested in bioethics, social history, and the history of music.

Glenn Fosbraey is the Head of English, Creative Writing, and American Studies at The University of Winchester. He has published various books, chapters, and journal articles about the academic study of song lyrics including Writing Song Lyrics (2019), and Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music (2021).