Code Musicology

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A01=Denis Crowdy
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Author_Denis Crowdy
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Category1=Non-Fiction
Category=AVA
Category=AVGV
Category=AVLX
Category=AVRS
Category=PDR
Category=UDM
COP=United States
critical code studies
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digital music
digital music technology
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eq_bestseller
eq_computing
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eq_music
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eq_non-fiction
eq_science
ethnomusicology
Language_English
music
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popular music
Price_€20 to €50
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softlaunch
software studies

Product details

  • ISBN 9781666909210
  • Weight: 240g
  • Dimensions: 151 x 229mm
  • Publication Date: 15 Jun 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a “code musicology,” then outlines what that should entail. A code musicology opens a conduit between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus—IT and software-centered transnational commerce—as a result of sectorial transformation.
Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author’s own music apps and associated distribution infrastructure provides unique insights into the machinations of music “appification.”

Denis Crowdy is senior lecturer at Macquarie University.

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