Codex Borbonicus Veintena Imagery

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Catherine DiCesare
Author_Catherine DiCesare
aztec
Aztec solar year chronology
calendar
Category=AB
Category=AGA
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fire ceremony
huitzilopochtli
indigenous ritual cycles
mesoamerican ballcourt
mesoamerican ballgame
Mesoamerican religious practices
mexica
Mexica calendrical systems
Mexica festival time reckoning
Mexican codex borbonicus
mountain feasts
pre-Columbian festivals
pulque revelry
quetzal plumes
sixteenth-century
tlaloc rites
tonalpohualli
tonalpohualli analysis
veintena
visual culture

Product details

  • ISBN 9781041187455
  • Weight: 380g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
The sixteenth-century pictorial manuscript known as the Codex Borbonicus contains a remarkable record of the eighteen Mexica (or “Aztec”) festival periods of twenty days, known as veintenas, celebrated during the 365-day solar year. Because its indigenous artists framed the Borbonicus veintenas with historical year dates, this volume situates the annually recurring rituals within the march of linear, reckoned time, in the singular year “2 Reed” (1507), during the reign of Moteuczoma II. DiCesare attends to the historical dimensions of several unusual scenes, proposing that the veintenas probably varied significantly from year to year in response to historical concerns. She considers particularly whether the Borbonicus veintenas document the confluence of solar year ceremonies with a second set of ritual feast days, governed by the 260-day cycle known as the tonalpohualli, or “count of days.” In this way, DiCesare analyzes how linear and cyclical conceptions of time intersected in Mexica ritual performance.
Catherine R. DiCesare is an Associate Professor of Art History in the Department of Art and Art History at Colorado State University. She holds a Ph.D. in Pre-Columbian Art History. Her specialty is the art of the ancient Americas. Her research focuses primarily on Mexican pictorial manuscripts, calendars, and rituals.

More from this author