Coding and Representation from the Nineteenth Century to the Present

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Andrew Ginger
Atlantic Telegraph
Brunel Institute
Category=DSB
Category=JBCC
Category=NHD
Category=NHTB
Category=PDX
communication technologies
Communications technologies
Critical Social Geographers
Dalziel Brothers
Dead Letter Office
Digital communications
Electrical telegraphy
Elegant Growth
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
Fish Story
Fleshly School
Ford Madox Brown's Work
Ford Madox Brown’s Work
Forgotten Space
GNSS Satellite
imperial networks
Imperialism
information infrastructure
International Morse Code
Kandinsky
media archaeology
National Library
nineteenth century telegraph culture
Paddington Station
Railway Space
Random International
Sekula's Work
Sekula’s Work
sociotechnical systems
Telegraphic imaginary 1866-1900
telegraphy history
Universal Language
Universal Visual Language
Visible Speech
Wassily Kandinsky
West Field
Wood Engraving

Product details

  • ISBN 9780367769680
  • Weight: 317g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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An exploration of trends and cultures connected to electrical telegraphy and recent digital communications, this collection emerges from the research project Scrambled Messages: The Telegraphic Imaginary 1866–1900, which investigated cultural phenomena relating to the 1866 transatlantic telegraph. It interrogates the ways in which society, politics, literature and art are imbricated with changing communications technologies, from the mid-nineteenth century to the present. Contributors consider control, imperialism and capital, as well as utopianism and hope, grappling with the ways in which human connections (and their messages) continue to be shaped by communications infrastructures.

Anne Chapman researches the interplay of cultural and social forms in the nineteenth and early twentieth century with interests in periodical culture, short fiction and the confluence of the visual and the verbal. She teaches at Glasgow Caledonian University London.

Natalie Hume is an independent art historian whose research interests include medium, material culture and the politics of visual representation. Her PhD, awarded by the Courtauld Institute of Art, investigated nineteenth-century transatlantic relations through the lens of commercial art.