Cognitive Basis of Aesthetics

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A01=Elena Fell
A01=Ioanna Kopsiafti
Aeschylus
aesthetic cognition
Aesthetic Judgment
aesthetics
Alfred Stieglitz
An Essay on Man
Anglo-American Aesthetics
AngloAmerican Tradition
architecture
Author_Elena Fell
Author_Ioanna Kopsiafti
Basic Formative Principle
Baumgarten
Brecht
Brunelleschi
Cassirer's Account
Cassirer's Philosophy
Cassirer's Position
Cassirer's Terms
Cassirer's Words
Cassirer’s Account
Cassirer’s Philosophy
Cassirer’s Position
Cassirer’s Terms
Cassirer’s Words
Category=GTK
Category=QDTM
Category=QDTN
Cervantes
cognition
conception of beauty
conceptual art
conceptualism
critical idealism
digital art
Elena Fell
Enlightenment Aesthetics
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Ernst Cassirer
Florence Cathedral
Google Art Project
Ioanna Kopsiafti
Kant's Aesthetic Theory
Kant's Aesthetics
Kant’s Aesthetic Theory
Kant’s Aesthetics
literature
Mallarme
Marcel Duchamp
Merleau-Ponty
music
Natural Beauty
Overburdened
Paul Crowther
perception
Phenomenal Unity
phenomenology of the image
photography
Picasso
pictorial art
poetry
progressive articulation
Pure Aesthetic Judgment
Raphael
Round Window
Steve Reich
storytelling
Superb
Swiss Critics
symbolic forms
symbolic function
Teleological Judgment
temporal realization
theatre
theory of imagination
unity of the self
Virtual Expression
visual art
Visual Art Forms
William Latham

Product details

  • ISBN 9781138652149
  • Weight: 490g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study. Aesthetic cognition has been largely abandoned by analytical philosophy, which instead tends to focus its attention on the ‘non-exhibited’ properties of artwork or issues concerning semantic and syntactic structure. The Cognitive Basis of Aesthetics innovatively seeks to correct the marginalization of aesthetics in analytical philosophy by reinterpreting aesthetic cognition through an integration of Ernst Cassirer’s philosophy of symbolic forms with Paul Crowther’s theory of imagination and philosophy of art. This integration has three important outcomes: 1) it explains why the aesthetic and artistic constitute a unique form of knowledge; 2) it shows the role this plays in the formation of aesthetics as a discipline; and 3) it describes why aesthetic cognition is so deeply engaging. This book’s unique theoretical approach engages with important works of visual, conceptual, and digital art, as well as literature, music, and theatre.

Elena Fell received her diploma in philosophy from St. Petersburg State University and her doctorate in philosophy from the University of Central Lancashire. She is Assistant Professor at Tomsk Polytechnic University, and is the author of Duration, Temporality, Self: Prospects for the Future of Bergsonism (Peter Lang, 2012). Ioanna Kopsiafti obtained her master's degree in art history at the University of St. Andrews, and her doctorate in art history and theory at the University of Oxford. She is Assistant Professor at Hellenic American University in Athens, Greece, and is also an Adjunct Professor at the Rome campus of Loyola University Chicago. Elena and Ioanna are co-authors of Thinking Space, Advancing Art. Cassirer and Crowther (Cambridge Scholars Publishing, 2015).

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