Coincidence of Wants

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A01=Charles Lewis
Author_Charles Lewis
Bosom Friend
Carrie Meeber
Carrie's Desire
Category=DSK
Classical Political Economy
Crusoe's Island
Crusoe's Journal
DAVID HUME
dick
doubloon
Dreiser's Fiction
economic
economic agency in fiction
economic models in British American novels
Economic Subject Matter
economy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
FERDINAND DE SAUSSURE
fictional
Fictional Economy
Filthy Creation
Formal Economic Analysis
gold
Gold Doubloon
Hideous Progeny
interdisciplinary literary criticism
literary economics
Mainstream Economic Analysis
matter
moby
Narrative Delay
Narrative Production
narrative theory
Neoclassical Analysis
Neoclassical Economic Analysis
Neoclassical Utility Theory
Real Economic Outcomes
ROBINSON CRUSOE
Shelley's Fiction
sister
subject
subjective value analysis
utility maximization models
White Whale

Product details

  • ISBN 9781138971028
  • Weight: 204g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This interdisciplinary study examines four major British and American novels in view of key concepts from the mainstream tradition of neoclassical economics. Studies of the novel widely address its connections to capitalism, yet literary critics and theorists rarely make reference to neoclassical perspectives, which have held a key position in the formal analysis of the marketplace for over a century.

Lewis argues that this overlooked area of economic thought, with its emphasis on subjective value, individual agency, and utility maximization, points to a previously unrecognized and important coincidence of wants between economic and novelistic discourse. In each of the four readings, Lewis uses a single economic problem from neoclassical theory as a model for interpreting novelistic form and content as economic configurations. Topics include narrative deferral, detour, and return as a performance of capital formation and economic development in Daniel Defoe's Robinson Crusoe; the emergence of the creative, risk-taking entrepreneur in Mary Shelley's Frankenstein; the representation of money in the romantic realization of trade in Herman Melville's Moby Dick; and a consumer utility theory of naturalist desire and indifference in Theodore Dreiser's Sister Carrie.

Underscoring how neoclassical theory variously elaborates on and departs from other economic approaches and periods, the author also addresses the limitations of, and the possibilities of profitable exchange with, other critical frameworks for understanding literal and symbolic economies in narrative fiction more broadly.

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