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Coleridge and Wordsworth
Coleridge and Wordsworth
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A slumber did my spirit seal
A01=Paul Magnuson
Age Group_Uncategorized
Age Group_Uncategorized
Alciphron
Allegory
Anxiety of influence
Aposiopesis
Author_Paul Magnuson
automatic-update
Betty Foy
Beyond Good and Evil
Black Mass
Blank verse
Book
Category1=Non-Fiction
Category=DC
Category=DSBF
Category=DSC
Catullus
Complete Poems
Conceit
COP=United States
Couplet
Cowardice
Critical Essays (Orwell)
Delivery_Pre-order
Early life of William Wordsworth
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Fears in Solitude
Fiction
Figure of speech
First appearance
Francis Quarles
Frost at Midnight
G. (novel)
Geoffrey Hartman
Hamlet's Father
in Two Volumes
Inception
J. Hillis Miller
John Keats
Jonathan Wordsworth
Juvenal
Kenneth Burke
Language_English
Lycidas
Lyrical Ballads
M. H. Abrams
Man's inhumanity to man
Metonymy
Mutability (poem)
Oliver Goldsmith
On the Morning of Christ's Nativity
On Writing
Only Words (book)
PA=Temporarily unavailable
Parody
Picturesque
Plagiarism
Poems
Poetic diction
Poetry
Price_€100 and above
PS=Active
Reflections on Having Left a Place of Retirement
Resolution and Independence
Rhyme
Richard Brinsley Sheridan
Romanticism
Samson Agonistes
Samuel Taylor Coleridge
She dwelt among the untrodden ways
Simile
softlaunch
Soliloquy
Stanza
Superiority (short story)
Suspension of disbelief
The Anxiety of Influence
The Death Ship
The Eolian Harp
The Mad Monk
The Other Hand
The Rime of the Ancient Mariner
The Tyger
Tragedy
William Shakespeare
Product details
- ISBN 9780691636603
- Weight: 794g
- Dimensions: 178 x 254mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Paul Magnuson contends that the relationship between Coleridge's and Wordsworth's poetry is so complex that a new criticism is required to trace its intricacies. This book demonstrates that their poems may be read as parts of a single evolving whole, a "dialogue" in which the works of one are responses to and rewritings of those of the other. Professor Magnuson discloses this dialogue as a joint canon, or sequence, which includes the complete early versions of poems, as well as fragments, canceled drafts, and poems in progress. He further shows that this sequence is based on lyric structure: the relations among its poems and fragments resemble those among stanzas in an ode, and individual poems take their significance from their surrounding contexts in the dialogue. Coleridge's and Wordsworth's poetic conversation arose from their recognition that their themes and styles were similar. There were, as one of Coleridge's friends said, "fears of amalgamation," and it was actually from their failed attempts to collaborate on individual works that their dialogue began.
The first chapter of the book elaborates a dialogic methodology and the following chapters discuss the dialogic relationship between Wordsworth's Salisbury Plain poems and "The Ancient Mariner"; "The Ruined Cottage" and Coleridge's "Christabel"; Coleridge's Conversation Poems and Wordsworth's "Tintern Abbey"; Wordsworth's Goslar poetry of 1798, "Home at Grasmere," and Lyrical Ballads (1800); and the dejection dialogue of 1802. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Coleridge and Wordsworth
€176.08
