Collaboration in the Arts from the Middle Ages to the Present
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A01=Silvia Bigliazzi
Alessandro Launaro
artistic collaboration in history
Author_Silvia Bigliazzi
Bell Kathleen
Bigliazzi Silvia
Carla Dente
Category=DSM
Chaucer's Physician's Tale
Chaucer’s Physician’s Tale
class
Conrad's Writing
Conrad’s Writing
creative partnerships
Cultural Memorialization
cultural politics
Doom Painting
Early Romantic Circle
Eells Emily
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Ford Collaboration
German Romanticism
Giaccherini Enrico
Gill Miriam
Gregorian Formula
immigrant literature
Independent Woman
interdisciplinary studies
John Wyclif
Landscape Archaeology
literary theory
Littlejohns Richard
Losing Side
Maggie Tulliver
Marinella Pasquinucci
Mario Curreli
Mark Rawlinson
Max Saunders
Philip Wakem
Physician's Tale
Physician’s Tale
Post War
Postwar
Robert Green
Roman De La Rose
Salome's Dance
Salome’s Dance
Sara Soncini
Scott's Illustration
Scott’s Illustration
Sharon Wood
Soil Scientist
St Michael's Church
St Michael’s Church
Tony Kushner
Traditional German Folk Songs
Wood Sharon
working
Working Class Writers
writers
Young Man
Product details
- ISBN 9781138356702
- Weight: 440g
- Dimensions: 156 x 234mm
- Publication Date: 14 Jan 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.
Silvia Bigliazzi is Professor of English Literature at Verona University.
