Collecting and Conserving Net Art

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A01=Annet Dekker
Art
Artwork's Authenticity
Artwork’s Authenticity
Authentic Alliances
Author_Annet Dekker
Bio Art
Blast Theory
Category=ABC
Category=AF
Category=GLZ
Category=JBCC
Category=JBCT1
Category=UBW
CGI Script
Collective Individuation
Conservation
Conservator
Critic Claire Bishop
Curating
Curation
curatorial practice
Dekker
Digital
digital preservation
Documentation Model
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Facebook API
Ferranti Mark
Game Engine
Hardware
heritage studies
interactive artworks
Internet
Libre Open Source Software
Live Coding Performance
Media
Media Archaeological Approach
Media Archaeology
media art conservation
Net
Net Art
Net Artworks
Network
Olia Lialina
preserving internet-based art
Process
Screen Capture Videos
Small Art Organizations
Software
software-based art
System
Traditional Conservation Methods
User
Van Saaze
Variable Media Network
Vice Versa
ZX Spectrum

Product details

  • ISBN 9780815382416
  • Weight: 436g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Apr 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Collecting and Conserving Net Art explores the qualities and characteristics of net art and its influence on conservation practices. By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies.

Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hard and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analysing or working with net art, particularly software-based processes.

Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. The book should also be interesting to professionals who are involved in the conservation and curation of digital arts, performance, media and software.

Annet Dekker is Assistant Professor Media Studies: Archival and Information Studies at the University of Amsterdam in the Netherlands, and Visiting Professor and co-director of the Centre for the Study of the Networked Image at London South Bank University, UK. Other recent publications include Lost and Living (in) Archives (2017).

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