Collecting and Displaying China's “Summer Palace” in the West

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Architectural Fragments
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British and French museum acquisitions
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China
Chinese Government
Chinese Museum
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Chinese studies
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cross-cultural display
cultural heritage looting
cultural studies
cultural vandalism
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Duc De Chaulnes
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Edmond De Goncourt
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England
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Europe
European Style Palaces
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Grand Salon
Greg M. Thomas
Henri Bertin
heritage studies
history
Hope Grant
imperial Chinese art
Imperial Summer Palace
Imperial Taste
imperialism
James L. Hevia
James Scott
John Finlay
Kangxi Emperor
Kate Hill
Kevin McLoughlin
Lacquer Panels
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looting
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Musee Chinois
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National Museums Scotland
Nick Pearce
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Stacey Pierson
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Vincent Droguet

Product details

  • ISBN 9781138080553
  • Weight: 564g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.

Louise Tythacott is Senior Lecturer in Curating and Museology of Asian Art at the School of Oriental and African Studies, University of London. Her books include Surrealism and the Exotic, The Lives of Chinese Objects: Buddhism, Imperialism and Display and Museums and Restitution: New Practices, New Approaches.