Collecting the Revolution

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A01=Emily R. Williams
Author_Emily R. Williams
British Maoism
Category=JP
Category=NHF
Chinese Communist material culture
collections and museums
Communist Politics & History
Cultural Revolution legacies
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Global Maoism
Global Sixties
Maoist art and propaganda
Maoist propaganda abroad
Material History
Museum Studies
Public History
Revolution & Resistance
Sino-British relations

Product details

  • ISBN 9781538150696
  • Weight: 345g
  • Dimensions: 152 x 228mm
  • Publication Date: 01 Apr 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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In the late 1960s, student protests broke out throughout much of the world, and while Britain’s anti-Vietnam protestors and China’s Red Guards were clearly radically different, these movements at times shared inspirations, aspirations, and aesthetics. Within Western popular media, Mao’s China was portrayed as a danger to world peace, but at the same time, for some on the counter-cultural left, the Cultural Revolution (1966–1976) contained ideas worthy of exploration. Moreover, because of Britain’s continued colonial possession of Hong Kong, Britain had a specific interest in ongoing events in China, and information was highly sought after. Thus, the objects that China exported—propaganda posters, paintings, Mao badges, periodicals, ceramics, etc.—became a crucial avenue through which China was known at this time, and interest in them crossed the political divide.
Collecting the Revolution uses the objects that the Chinese government sent abroad and that visitors brought back with them to open up the stories of diplomats, journalists, activists, students, and others and how they imagined, engaged with, and later remembered Mao’s China through its objects. It chronicles the story of how these objects were later incorporated into the collections of some of Britain’s most prominent museums, thus allowing later generations to continue to engage with one of the most controversial and important periods of China’s recent history.

Emily R. Williams is an assistant professor in the department of China Studies at Xi’an Jiaotong-Liverpool University, Suzhou, where she teaches on modern Chinese history and society. Her research focuses on the art and material culture of the Maoist period, its legacies in contemporary China, and the collection of this material in China and the United Kingdom.

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