Collective Trauma and the Psychology of Secrets in Transnational Film

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A01=Deborah Lynn Porter
Alejandro Amenabar
Alhambra Palace
Andrey Zvyaginstev
Author_Deborah Lynn Porter
Category=ATF
Category=JBCT
Category=JMA
cinematic concealment
Cognitive Evolution
collective history
Collective Memory Formation
Collective Memory Processes
Collective Memory Research
Comfort Women
Dead Men
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Preservation
film studies
Filmic Idiom
Grape Vines
Guillermo Del Toro
Guillermo Del Toro's Pan
Guillermo Del Toro’s Pan
historical inquiry
Human Suffering
Ivan Groznyi
Ivan IV
Jersey Island
Kim Jee-woon
metapsychology
metapsychology secrets
national identity memory
Pale Man
Pan's Labyrinth
Pan’s Labyrinth
phantom
Phantom Films
Phantom Structures
Preservative Repression
psychoanalysis
psychoanalysis of historical trauma in film
psychoanalytic film theory
Red Mesh
Stewart Family
Toro's Pan's Labyrinth
Toro’s Pan’s Labyrinth
transnational aesthetics
trauma representation cinema
world film

Product details

  • ISBN 9780815371755
  • Weight: 500g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Feb 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woon Kim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.

Deborah Porter is Associate Professor in the Jackson School of International Studies at the University of Washington, USA

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