A01=SalomA(C) Voegelin
A01=Salomé Voegelin
A01=Thomas Gardner
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_SalomA(C) Voegelin
Author_Salomé Voegelin
Author_Thomas Gardner
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Category1=Non-Fiction
Category=AVA
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fine art
history of art
history of music
history of sound art
Language_English
music history
musicology
PA=Available
Price_€10 to €20
PS=Active
softlaunch
sound art history
visual art
Product details
- ISBN 9781782798958
- Weight: 274g
- Dimensions: 144 x 221mm
- Publication Date: 30 Sep 2016
- Publisher: Collective Ink
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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In 2012, Thomas Gardner and Salome Voegelin hosted a colloquium, entitled "Music - Sound Art: Historical Continuum and Mimetic Fissures", at the London College of Communication, University of the Arts London. This colloquium dealt with the current fervent debate concerning the relationship between sound art and music. This book proposes the opening of the colloquium to a wider readership through the publication of a decisive range of the material that defined the event.
Thomas Gardner is a musician who is specially interested in the relations between sound art and music, both in terms of the schizophonic splits introduced by electronic media and the new collaborative practices which emerge from them. He is course director of the MA in Sound Arts at the London College of Communication. Salome Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art and Sonic Possible Worlds: Hearing the Continuum of Sound. She is a Reader in Sound Arts at the London College of Communication.
