Colonialist Photography

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
africa
anthropological
Banian Tree
Belly Dancers
Category=JB
Category=JHMC
Category=NHTB
Category=NHTQ
Category=NHTR
cultural representation
De Gaulle
documentary visual analysis
Egon Von Eickstedt
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
equatorial
ethnographic imagery
Farm Security Administration
Felix Von Luschan
french
French Equatorial Africa
FSA Image
FSA Photograph
FSA Photography
Gauguin
Hawaiian Woman
historical image critique
Hop Gardens
Hula Girl
La Farge
orientalist
Pacific Cruise
paintings
Paul Gauguin
photographer
photographs
Pleasure Quarters
postcolonial studies
Pow Camp
Pow Population
Pow Study
race and visual culture research
snake
Struck's Drawings
Struck’s Drawings
Toni Frissell
unknown
Unknown Photographer
visual anthropology
Young Men

Product details

  • ISBN 9780415274951
  • Weight: 860g
  • Dimensions: 189 x 246mm
  • Publication Date: 13 Jun 2002
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II.

Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.

Gary D. Sampson is Associate Professor of art history at the Cleveland Institute of Art, Ohio. His recent publications include chapters on the photography of Samuel Bourne and Lala Deen Dayal in India Through the Lens.

Eleanor M. Hight is Associate Professor of art history at the University of New Hampshire, Durham. She is the author of Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany and Jackson Pollock: A Study in Reception.