Color and the Moving Image

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advanced color theory in cinema
AFI Film Readers
american film
American Film Institute
archival preservation methods
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chromatic theory analysis
Cinematic Color
cinematography techniques
Classical Hollywood Cinema
color and film
Color Film
Color Film Stock
Color Filmmaking
color films
Color Sequences
Color Stock
Coney Island
Deep Red
Disorderly Order
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Eric Rohmer
film and aesthetics
film history
film production
film restoration technology
film studies
Glorious Adventure
Gogh
Lady Diana Manners
Motion Picture Color
narrative color symbolism
Nederlands Filmmuseum
Oskar Fischinger
Punch Drunk
Red Polka Dots
Rohmer's Films
Rohmer’s Films
Synaesthetic Montage
Technicolor Film
Vincent Van Gogh
visual perception in film
Web Illustrations

Product details

  • ISBN 9780415892643
  • Weight: 400g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Nov 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color—such as Hitchcock, Jarman and Sirk—as well as others whose use of color has not yet been explored in such detail—including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Anna Batistova works as the head of audiovisual collections at National Film Archive in Prague (Czech Republic), and an assistant professor at Department of Film Studies and Audiovisual Culture at Masaryk University, Brno (Czech Republic). She does research in history of screening technologies and teaches cinema technology, early cinema, Czech cinema, and audiovisual archiving.