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Color and Victorian Photography
Color and Victorian Photography
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€192.20
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Apelles
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B01=Lindsay Smith
Black Varnish
Camera Obscura
Canada Balsam
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AJ
Color Photography
COP=United Kingdom
Crimson
Daguerreotype Plate
Dark Closet
Delivery_Delivery within 10-20 working days
Dry Colouring
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Follow
Gum Arabic
Held
Inclined
Juice
Language_English
manuals on handcoloring
Miniature Painting
PA=Available
photographers' views
photographic press
Poppy
Potash
Price_€100 and above
PS=Active
Rubbing
Silver Bromide
Sky
softlaunch
Sponge
Superb
Talbot
Victorian photography
Water Colours
Yellow Ochre
Product details
- ISBN 9781474264211
- Weight: 510g
- Dimensions: 138 x 216mm
- Publication Date: 03 Jun 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Nineteenth-century photography is usually thought of in terms of ‘black and white’ images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839. Introducing readers to the long, frequently overlooked story of the relationship of color to photography, this short anthology of primary sources includes: accounts of the scientific search for color by Elizabeth Fulhame and Sir John Herschel;photographers' views on color; extracts from the photographic press and from manuals on handcoloring; and accounts by critics such as John Ruskin. The volume provides a fresh perspective on the culture, history and theory of early photography, demonstrating why scientists, philosophers, photographers, literary writers and artists were so fascinated by the potential for polychrome in photographs. With an introductory essay arguing that from the earliest days of photography the prospect of color loomed large in the imagination of its creators, users and critics, this reader is an essential resource for students and scholars wanting to gain a full understanding of nineteenth-century photography and its relationship to art history, literature and culture.
Lindsay Smith is Professor in the School of English, and Co-Director of the Centre for Photography and the Visual, at the University of Sussex. With an interest in photography dating back to her training in Fine Art, she specializes in the interrelationships between nineteenth-century photography, literature and painting. She has published widely in the field and her books include: Victorian Photography, Painting and Poetry (1995), The Politics of Focus: Women, Children and Nineteenth Century Photography (1998), Pre-Raphaelitism: Poetry and Painting (2013) and Lewis Carroll: Photography on the Move (2015).
Color and Victorian Photography
€192.20
