Colors of Nubia

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A01=Armgard Goo-Grauer
Africa
Anthropology
Aswan
Aswan Dam
Author_Armgard Goo-Grauer
Category=AFT
Category=JBCC
Category=JHMC
contemporary
craft
Culture
Design
Displacement
dwellings
Egypt
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnography
ethnology
evil eye
Evil Eye Protection
feminine
flood
folk
Folk Beliefs
forthcoming
German
Heritage
History
Indigenous
Interio
Kenzi
Language
material culture
middle east
motifs
Mural Painting
Nubia
objects
ornament
Ornamental Design
patterns
perform
photographs
portrait
religion
relocation
Spiritual Traditions
spirituality
style
Traditional Architecture
traditions
trauma
Travel
Upper Egypt
Village Life
villages
Visual Culture
women
Women Artists

Product details

  • ISBN 9781649033550
  • Dimensions: 241 x 216mm
  • Publication Date: 15 Dec 2026
  • Publisher: American University in Cairo Press
  • Publication City/Country: US
  • Product Form: Hardback
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An intimate historical portrait of the women of Nubia and their unique house decorations including over 400 full color and black and white photographs

Between 1960 and 1970 the building of the Aswan Dam led to the creation of a lake that drowned the Nubian villages of Upper Egypt. The Nubian population were forced to leave their villages and hamlets and relocated to the north. The tradition of Nubian house decoration was discontinued after this traumatic relocation, the adverse impacts of which are still manifest today.

In this rich account of Nubian women and their house decorations, Armgard Goo-Grauer offers a beautifully photographed narrative of the way the Nubians of Upper Egypt lived before their villages were destroyed. She paints an intimate portrait of women engaged in household tasks, preparing feasts, and performing in the female world of religion and spirituality, and illustrates how decoration of the home fulfilled the purposes of beautification, representation, and protection. The art form, which was unique in the area, covered a wide spectrum of motifs and styles—plants, animals, humans, designs, patterns, and daily objects. Many paintings were embedded in Nubian folk beliefs; and were intended to provide blessing or ban the evil eye. However, they also contained contemporary influences and aspirations of women, offering an exceptional window into the mindset of Nubian women before 1964, who maintained the Nubian language and traditions and achieved a remarkable degree of self‑determination.

Armgard Goo-Grauer is a German ethnologist who studied art, African languages, and comparative religion. In the early 1960s, she carried out fieldwork in Nubia and witnessed the involuntary displacement of the population in 1964.

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