Comic Book Film Style

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A01=Dru Jeffries
Author_Dru Jeffries
Category1=Non-Fiction
Category=AKLC
Category=ATF
Category=NL-AK
Category=NL-AP
COP=United States
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
HMM=229
IMPN=University of Texas Press
ISBN13=9781477313251
Language_English
PA=Available
PD=20170905
POP=Austin
Price=€50 to €100
PS=Active
PUB=University of Texas Press
Subject=Film- Tv & Radio
Subject=Industrial/commercial Art & Design
TX
WG=517
WMM=152

Product details

  • ISBN 9781477313251
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Sep 2017
  • Publisher: University of Texas Press
  • Publication City/Country: Austin, US
  • Product Form: Hardback
  • Language: English
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Superhero films and comic book adaptations dominate contemporary Hollywood filmmaking, and it is not just the storylines of these blockbuster spectacles that have been influenced by comics. The comic book medium itself has profoundly influenced how movies look and sound today, as well as how viewers approach them as texts. Comic Book Film Style explores how the unique conventions and formal structure of comic books have had a profound impact on film aesthetics, so that the different representational abilities of comics and film are put on simultaneous display in a cinematic work.

With close readings of films including Batman: The Movie, American Splendor, Superman, Hulk, Spider-Man 2, V for Vendetta, 300, Scott Pilgrim vs. the World, Watchmen, The Losers, and Creepshow, Dru Jeffries offers a new and more cogent definition of the comic book film as a stylistic approach rather than a genre, repositioning the study of comic book films from adaptation and genre studies to formal/stylistic analysis. He discusses how comic book films appropriate comics’ drawn imagery, vandalize the fourth wall with the use of graphic text, dissect the film frame into discrete panels, and treat time as a flexible construct rather than a fixed flow, among other things. This cinematic remediation of comic books’ formal structure and unique visual conventions, Jeffries asserts, fundamentally challenges the classical continuity paradigm and its contemporary variants, placing the comic book film at the forefront of stylistic experimentation in post-classical Hollywood.

Dru Jeffries teaches comics studies at Wilfrid Laurier University and has taught film at Concordia University and the University of Toronto. He has published scholarship on film and comic books in Porn Studies, Quarterly Review of Film and Video, Cinephile, and several edited volumes.

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