Comic Books, Graphic Novels and the Holocaust

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aesthetic diversity
Aline Kominsky Crumb
anti-facism
anti-semitism
antisemitism in comics
Au Camp
Birthright Trip
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Comic Book Genre
comic books
Contemporary Society
Czech Comics
De La Shoah
Educational Comic Books
educational graphic narratives
Educational Material
educational pamphlets
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French Comic Book
Graphic Memoir
Graphic Narratives
graphic novels
holocaust
Holocaust representation
Human Suffering
Inter-generational Memory
Jewish Child Survivors
Journal of Modern Jewish Studies
Maus
memory transmission
Nationaal Socialistische Beweging
Polish Jewish Past
SED
SED Leadership
SED Regime
SED Rule
SED State
sequential art studies
Shoah
Soft Ice Cream
transgenerational memory
trauma narrative analysis
Treptower Park
visual culture Holocaust studies
West Germany
World War II

Product details

  • ISBN 9781138598645
  • Weight: 420g
  • Dimensions: 174 x 246mm
  • Publication Date: 25 Sep 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book analyses the portrayals of the Holocaust in newspaper cartoons, educational pamphlets, short stories and graphic novels. Focusing on recognised and lesser-known illustrators from Europe and beyond, the volume looks at autobiographical and fictional accounts and seeks to paint a broader picture of Holocaust comic strips from the 1940s to the present. The book shows that the genre is a capacious one, not only dealing with the killing of millions of Jews but also with Jewish lives in war-torn Europe, the personal and transgenerational memory of the Second World War and the wider national and transnational legacies of the Shoah. The chapters in this collection point to the aesthetic diversity of the genre which uses figurative and allegorical representation, as well as applying different stylistics, from realism to fantasy. Finally, the contributions to this volume show new developments in comic books and graphic novels on the Holocaust, including the rise of alternative publications, aimed at the adult reader, and the emergence of state-funded educational comics written with young readers in mind.

This book was originally published as a special issue of the Journal of Modern Jewish Studies.

Ewa Stańczyk is Lecturer in East European Studies at the University of Amsterdam, the Netherlands. She is the author of Contact Zone Identities in the Poetry of Jerzy Harasymowicz (2012) and has recently completed her second book on the politics of memory in Poland.