Comic Drama

Regular price €132.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Act III
Arlecchino
Category=DSA
classical Greece
classical Rome
comedy and farce
comedy and satire
comic catharsis
Comic Drama
Dark Comedy
Diderot
dramatic structure
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European comedy
evolution of European comic forms
farce traditions
Follow
Galy Gay
influence of cinema
La Mandragola
laughter and smile
Le Barbier De Seville
Le Fils Naturel
Le Misanthrope
Les Femmes Savantes
Literary Comedy
literary criticism
Lope De Vega
Ma Ubu
Miles Gloriosus
Minna Von Barnhelm
Moliere
moral teaching
Pa Ubu
performance studies
plot and dialogue
Postwar
realism and fantasy
Renaissance
satire analysis
Sentimental Comedies
Slice Of Life
television comedy
theatre history
Wild Duck
Wo
Young Man

Product details

  • ISBN 9781032216669
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Ever since comedies were first performed in the ancient world, the definition of the term ‘comedy’ has been debated by both playwrights and critics. Originally published in 1978, this volume does not attempt a precise definition, but reviews the various interpretations that have been put forward through the ages, taking as evidence important theoretical writings as well as the plays themselves, and pointing out not only common features but also notable exceptions.

The comic drama of Western Europe since the Renaissance is here surveyed in a series of chapters devoted principally to the tradition of European comedy as it developed in the major national literatures. The perspective is expanded to include, on the one hand, the origins in classical Greece and Rome and, on the other, the influence of cinema, radio and television comedy at the time – American as well as European. A structural basis for the volume as a whole is provided in an analytical introduction, where the essential problems are defined: such issues as the relationship between comedy and satire, comedy and farce; the distinction between laughter and smile; the respective claims of realism and fantasy; the role of plot and of dialogue; the place of sentiment and of moral teaching; and the possibility of comic catharsis.

In this way the nature and evolution of European comedy is presented in an original and coherent form, not only offering an invaluable aid to students seeking guidance in literature of which they are not making a specialist study, but stimulating the more experienced reader to think again about familiar plays.

W. D. Howarth