Comic Matrix of Shakespeare's Tragedies

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A01=Susan Snyder
Absurdity
Alazon
Ancient Greek comedy
Aristophanes
Author_Susan Snyder
Category=DSBD
Category=DSG
Christopher Sly
Comedy
Costard
Divine Comedy
Doctor Faustus (play)
Edmund (King Lear)
Egeus
Eiron
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Farce
Feste
Fiction
Fortinbras
Friar Laurence
Gargantua and Pantagruel
Hermia
Hyperbole
Iago
Irony
Joke
King Lear
Laertes
Laertes (Hamlet)
Love's Labour's Lost
Macduff (Macbeth)
Malapropism
Malcontent
Malvolio
Mercutio
Mother Bombie
Old Comedy
Othello
Parody
Petrarchan sonnet
Petruchio
Plautus
Playwright
Polonius
Pun
Pyramus and Thisbe
Roderigo
Rosaline
Rosencrantz and Guildenstern
Rosencrantz and Guildenstern (play)
Satire
Shakespeare's plays
Shakespeare's sonnets
Shakespearean comedy
Shakespearean tragedy
Silliness
Soliloquy
Sonnet 130
Sonnet 138
Superiority (short story)
Suspension of disbelief
Terence
The Comedy of Errors
The Comic
The Gravediggers
The Merry Devil of Edmonton
The Praise of Folly
Titus Andronicus
Tragedy
Tragic hero
Tragicomedy
Tybalt
William Shakespeare

Product details

  • ISBN 9780691196619
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear.
The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound.
In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity.
Susan Snyder is Professor of English at Swarthmore College.

Originally published in 1979.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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