Comic Performativities

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Anal Sex
audience reception theory
Author_Dustin Goltz
camera
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chris
Chris Rock
comedic performance
Comic Controversy
contemporary comedy controversies
controversy
Country Music
critical communication theory
critical identity theory
Critical Patterns
cultural criticism
cuts
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Golden Globes
Hegemonic Masculinity
humor aesthetics
identity politics humour
Internet outrage performance
ironic
Ironic Performativity
Jeffrey Tambor
Mild Racism
Paranoid Read
performance studies
Performative Complexity
Performative Model
Performative Operations
performativity
Pop Star
Racial Humor
Racial Paranoia
Reparative Reading Strategy
rock
sarah
silverman
social media discourse
Tragic Frame
trevor
Tv Today
White Body
White Comedians
White Fragility
White Ignorance
Young Man

Product details

  • ISBN 9781138742604
  • Weight: 550g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Comic Performativities: Identity, Internet Outrage, and the Aesthetics of Communication studies patterns of criticism and public debate in the relationship between humour, identity, and offense. In an increasingly reductive and politically charged debate, right-wing pundits argue leftist politics has compromised a free and open discussion, while scholars take right-wing critics to task for reifying systems of oppression under the guise of reason and respect. In response, Goltz scrutinises twenty-first century "comedic controversies," the notion of "political correctness," and the so-called "outrage machine" of social media. How should we appropriately determine whether a joke is "sexist," "racist," or "offensive"?

Informed by communication, performance, and critical identity theory, Goltz examines infamous controversies involving performers like Sarah Silverman, Amy Schumer, and Seth MacFarlane, and the social media backlash that redefined these events. He investigates the ironic interplay between spoken word, identity, physicality and, as a result, the contrasting meanings potentially construed. Consequently, the book encourages a greater appreciation of the aesthetics involved in comedic performance that help signpost interpretation and emphasizes the role of the audience as self-reflexive and self-aware.

This book highlights the significant parallels between the nature of performance art and comedic performance in order to elevate analysis of, and discussion around, contemporary comedy. In doing so, it is an important critical contribution to the field of performance studies and cultural criticism, as well as communication studies, at both the undergraduate and postgraduate level.

Dustin Bradley Goltz PhD, MFA, is an Associate Professor of Performance Studies in The College of Communication at DePaul University. He is a scholar and artist and has authored several works, including Queer Temporalities in Gay Male Representation (2009) and Queer Praxis (2015).

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