Comics Art in China
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€33.99
A01=John A. Lent
A01=Xu Ying
AESTHETIC ANIMATION
Asia
Asian Studies
Author_John A. Lent
Author_Xu Ying
CAMPAIGNS
CARICATURE
CARTOON WARFARE
CARTOONISTS ORGANIZATIONS
Category=AKLC
Category=DSB
Category=JBCC1
Category=NHF
China
CIVIL WAR
COLLABORATIONIST CARTOONISTS
Comics
COMMUNISM
CULTURAL REFORM
CULTURAL REVOLUTION
DONGHUA
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
GANG OF FOUR
GIANTISM
GOLDEN AGES
GOVERNMENT AND CARTOONING
Graphic Novels
GUOMINDANG
History
HUANG YAO
HUMOR MAGAZINES
INK-WASH
KOREAN WAR
LEAFLETS
LIANHUANHUA
LIBERATION
MAOIST ART
MARKET ECONOMY
MILITARY CARTOONING
NARRATION
NATIONAL SALVATION CARTOON PROPAGANDA CORPS
NEW ART MOVEMENT
NEWSPAPER STRIPS
PARODY
PICTORIAL MAGAZINES
PROPAGANDA
PUCK
REPRESSION
SATIRE
SATIRE MAGAZINES
SCAR ART
SHANGHAI ANIMATION FILM STUDIO
STORYTELLING
WAN BROTHERS
WORLD WAR II
XINMANHUA
YE QIANYU
ZHANG LEPING
Product details
- ISBN 9781496846471
- Weight: 789g
- Dimensions: 215 x 279mm
- Publication Date: 21 Apr 2023
- Publisher: University Press of Mississippi
- Publication City/Country: US
- Product Form: Paperback
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International Convention of Asia Scholars 2019 Book Prize – Best Art Publication
In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form.
This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods.
Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form.
This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods.
Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
John A. Lent taught at the university level from 1960 to 2011, with stints in the Philippines, Malaysia, Canada, China, and the United States. He has authored or edited eighty-seven books, including Asian Comics, Asian Political Cartoons, and Comics Art in China, all published by University Press of Mississippi. He founded and serves as the publisher and editor-in-chief of International Journal of Comic Art.
Xu Ying has published more than one hundred articles about Chinese cartooning, animation, and cinema, as well as foreign films and animation, in such publications as Asian Cinema, International Journal of Comic Art, World Cinema, Film Review, New Film, Contemporary Cinema, Contemporary Television, and Film.
Xu Ying has published more than one hundred articles about Chinese cartooning, animation, and cinema, as well as foreign films and animation, in such publications as Asian Cinema, International Journal of Comic Art, World Cinema, Film Review, New Film, Contemporary Cinema, Contemporary Television, and Film.
