Commedia dell’Arte for the 21st Century

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Arlecchino
Balinese Dance
Balinese Performance
Beijing Film Academy
Carlo Gozzi
Category=AFKP
Category=ATD
Category=JBCC
Category=NHTB
Commedia Character
Commedia Masks
Commedia Performance
Commedia Play
Drama Action Centre
drama education Asia-Pacific
Drama Teacher
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eq_bestseller
eq_history
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eq_non-fiction
eq_society-politics
Fiammetta
Follow
Gamelan
Half Masks
High School Drama Teachers
hybrid theatre practice in Asia-Pacific
Il Dottore
intercultural theatre studies
Jacques Lecoq
mask making craft
Mask Performance
mask performance techniques
Moliere
Peter Jordan
physical theatre training
Post-war
theatre pedagogy
Timeless
Traditional Commedia
USA

Product details

  • ISBN 9780367696788
  • Weight: 553g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book discusses the evolution of Commedia dell’Arte in the Asia-Pacific where through the process of reinvention and recreation it has emerged as a variety of hybrids and praxes, all in some ways faithful to the recreated European genre.

The contributors in this collection chart their own training in the field and document their strategies for engaging with this form of theatre. In doing so, this book examines the current thoughts, ideas, and perceptions of Commedia – a long-standing theatre genre, originating in a European-based collision between neo-classical drama and oral tradition. The contributing artists, directors, teachers, scholars and theatre-makers give insight into working styles, performance ideas, craft techniques and ways to engage an audience for whom Commedia is not part of their day-to-day culture. The volume presents case studies by current practitioners, some who have trained under known Commedia ‘masters’ (e.g. Lecoq, Boso, Mazzone-Clementi and Fava) and have returned to their country of origin where they have developed their performance and teaching praxis, and others (e.g. travelling from Europe to Japan, Thailand, Singapore and China) who have discovered access points to share or teach Commedia in places where it was previously not known.

This book will be of great interest to students and scholars in Performing arts, Italian studies, and History as well as practitioners in Commedia dell’Arte.

Corinna Di Niro is a Commedia practitioner, independent theatre-maker and lecturer at the University of South Australia.

Olly Crick is a Commedia enthusiast, an independent researcher and theatre professional, based in the UK.