Commitments

Regular price €64.99
1960s Soul
A01=Nessa Johnston
Alan Parker
authenticity in Irish film culture
Author_Nessa Johnston
Backing Tracks
Category=ATFA
Category=JBCC1
Category=JBCT
Celtic Tiger
City's Music Scene
cultural identity Ireland
Dart
Dublin Accents
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Rock Musicians
film sociology
Follow
gender and race representation
Great Famine
Hubbards
IRA's Campaign
Irish Culture
Irish film
Irish Film Board
Irish Film Industry
Irish media
Irish Studies
Irish Success
Live Music Scene
Live Vocals
Music and film
Music Scenes
Mustang Sally
Playback
Popular Culture
Popular Music
popular music studies
Recording Studio
Roddy Doyle
Soul music
Soundtrack Albums
Superimposing
transnational cinema
Unforgettable
working class youth
Young Man
youth film
Youth Media

Product details

  • ISBN 9780367273125
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

This book examines The Commitments (Parker, 1991) for the first time as a film, rather than an adaptation of Roddy Doyle’s bestselling novel, and as a significant cultural event in 1990s Ireland.

A major hit in Ireland and around the world, the film depicts the short-lived attempts of an ensemble of young working-class Dubliners to achieve success as a soul covers band, playing the hits of Aretha Franklin, Otis Redding, and others, on a mission to ‘bring soul back to Dublin’. Drawing upon interviews with key figures involved in the film and its music, including Roddy Doyle, Angeline Ball, and Bronagh Gallagher, as well as archival research of director Alan Parker’s papers, the book explores questions of authenticity associated with youth, music, class, and culture, and assesses the film’s legacy for the Irish film industry, Irish music scenes, and Irish youth. It also examines the film’s status as a truly transnational production.

This concise, yet interdisciplinary case study will be of interest to students and researchers in popular music, cultural studies, and sociology, as well as film and media studies.

Nessa Johnston is Senior Lecturer in Media, Film and Television at Edge Hill University, UK. Her research is about sound and music in screen media, cult cinema, media technologies, and media industries.