Commodifying Violence in Literature and on Screen

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A01=Alejandro Herrero-Olaizola
AUC
Author_Alejandro Herrero-Olaizola
Captivity Memoirs
Category=DSB
Category=JBCC1
Category=JBCT
Category=JP
Category=NH
Category=NHTQ
Centro Nacional De Memoria
Colombia
Colombia's Violences
Colombian Cinema
Colombian Conflict
Colombian Culture
Colombia’s Violences
cultural commodification
Dark Tourism
Dirty Realism
displacement narratives
DVD Cover
El Padre
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
FARC Guerrilla
FARC Leader
Film studies
Film Viewing Experience
global consumption of Colombian violence
Global Cultural Market
Grupo De Memoria
Haptic Perception
Haptic Visuality
Hispanic
human rights discourse
La Paz
La Sombra
La Virgen
Latin America
Latin American Cultural Products
Latin American Literature
Latin American media
Latin American studies
Latin American Violence
Main Character
Mano Negra
Marketing Operations
media representation violence
Media studies
narco literature
Narcos
Shattered Glass

Product details

  • ISBN 9781032080505
  • Weight: 300g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book traverses the cultural landscape of Colombia through in-depth analyses of displacement, local and global cultures, human rights abuses, and literary and media production. Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consumption, it investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors. In this examination of mass-marketed cultural products such as narco-stories, captivity memoirs, gritty travel narratives, and films, Herrero-Olaizola seeks to offer a hemispheric approach to the role played by Colombia in cultural production across the continent where the illicit drug trade has made significant inroads. To this end, he identifies the "Colombian condition" within the parameters of the global economy while concentrating on the commodification of Latin America’s violence for cultural consumption.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Alejandro Herrero-Olaizola is Arthur F. Thurnau Professor of Spanish and Latin American Studies at the University of Michigan, Ann Arbor. He is the author of The Censorship Files: Latin American Writers and Franco’s Spain (2007) and Narrativas híbridas: parodia y posmodernismo en la ficción contemporánea de las Américas (2000), and co-editor of Market Matters (Arizona Journal of Hispanic Cultural Studies), Teaching the Latin American Boom (2015), and Territories of Conflict: Traversing Colombia Through Cultural Studies (2017). His articles have appeared in Symposium, Revista Crítica de Literatura Latinoamericana, Hispanófila, MLN, and Hispanic Review. Currently, he is the Editor of Revista de Estudios Colombianos. His research has been supported by the NEH, ACLS, and Fulbright fellowships.

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