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Commodity Culture in Dickens's Household Words
Commodity Culture in Dickens's Household Words
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A01=Catherine Waters
andrew
Andrew Miller
authenticity in commodities
Author_Catherine Waters
Begging Letter Writer
Bird's Eye
Bird’s Eye
blanchard
Blood Seamstresses
Burlington Arcade
Category=DS
Category=DSBF
Category=KNT
chambers's
Chambers's Edinburgh Journal
Chambers’s Edinburgh Journal
CHARLES DICKENS
Charles Knight
consumer society history
Contested Commodities
Dead Men
dodd
Drawing Back
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
French Watering Place
george
henry
Household Words
jerrold
laissez-faire economics
Lucifer Match
Manchester Warehouse
miller
Misses Jenkyns
morley
Mr Booley
Nineteenth Century Advertisement
nineteenth-century journalism
Pine Apples
print culture studies
Process Articles
Tamara Ketabgian
Urania Cottage
Victorian commodity market analysis
Victorian Funeral
Victorian periodicals
Wellington's Funeral
Wellington’s Funeral
william
Young Man
Product details
- ISBN 9780367887919
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 12 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
In 1850, Charles Dickens founded Household Words, a weekly miscellany intended to instruct and entertain an ever-widening middle-class readership. Published in the decade following the Great Exhibition of 1851, the journal appeared at a key moment in the emergence of commodity culture in Victorian England. Alongside the more well-known fiction that appeared in its pages, Dickens filled Household Words with articles about various commodities-articles that raise wider questions about how far society should go in permitting people to buy and sell goods and services: in other words, how far the laissez-faire market should extend. At the same time, Household Words was itself a commodity. With marketability clearly in view, Dickens required articles for his journal to be 'imaginative,' employing a style that critics ever since have too readily dismissed as mere mannerism. Locating the journal and its distinctive handling of non-fictional prose in relation to other contemporary periodicals and forms of print culture, this book demonstrates the role that Household Words in particular, and the Victorian press more generally, played in responding to the developing world of commodities and their consumption at midcentury.
Catherine Waters is a senior lecturer in English at the University of New England (New South Wales). She is the author of Dickens and the Politics of the Family (1997) and various articles on Victorian fiction and journalism.
Commodity Culture in Dickens's Household Words
€56.99
