Community Art

Regular price €49.99
A01=Kate Crehan
Aesthetic Language
anthropological study of British community arts
anthropology of art
Art Elements
Art School Training
Art World
Author_Kate Crehan
British Urban Regeneration Association
Category=AGA
Category=JBCC
Category=JHMC
CEMA
collaborative creativity
community art
Community Arts Movement
cultural policy analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Established Art World
Free Form
Free Form Arts Trust
Free Form story
Fun Festivals
Gallery World
Games Pitch
Genre Public Art
Goldsmiths
Hackney Council
Keynes
Manchester Metropolitan University
Matta Clark's Work
Matta Clark’s Work
participatory art practice
Royal Academy
Senior Housing Manager
social engagement theory
Standing Stone
Tenants Association
Tv Game Show
urban public space transformation
visual culture studies

Product details

  • ISBN 9781847888334
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Nov 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Exploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective.The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art world. In seeking to give the residents of poor communities a greater role in shaping their built environment, the artists' aesthetic practice would be transformed.Community Art examines this process of aesthetic transformation and its rejection of the individualized practice of the gallery artist. The Free Form story calls into question common understandings of the categories of "art," "expertise," and "community," and makes this story relevant beyond late twentieth-century and early twenty-first-century Britain.
Kate Crehan is Professor of Anthropology, College of Staten Island and Graduate Center, City University of New York, USA