Community Filmmaking

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Aitor Iturriza
Alicia Blum-Ross
Alistair Scott
Amber Films
Asier Aranzubia
Caroline Chapain
Casey Burkholder
Category=ATF
Category=JBCT
Category=JHB
Category=KNT
collaborative filmmaking networks
Community Filmmaking
community media
Community Video
Cultural Mapping Projects
cultural representation
Daniel Ashton
Daniel H. Mutibwa
diversity
Eileen Leahy
Emma Agusita
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnic Minority Young People
Fatima Mansions
Film Festivals
film production
film studies
grassroots cinema
innovation
International Film Festival Circuit
Jon Dovey
Kate Pahl
Kath Dooley
Kayla Parker
LGBT People
media industries
media policy analysis
media studies
Miguel Fernez Labayen
Museo Nacional Centro De Arte
Occupy Central
Occupy Central Protests
Participatory Filmmaking
participatory media
Participatory Production Processes
Participatory Visual Research
Patio Maravillas
Permanent Resident
policy
Port Alberni
Reflective Practice
Roberta Comunian
Roberta Mock
Rosa Productions
Ruth Way
SAFC
Scottish Cultural Identity
Sharon Karsten
Shawn Sobers
social innovation studies
Steve Pool
Steve Presence
UK Public Service Broadcasting
urban regeneration media
Virginia Murray
Young People
Youth Filmmaking

Product details

  • ISBN 9781138188068
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Apr 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the role of community filmmaking in society and its connection with issues of cultural diversity, innovation, policy and practice in various places. Deploying a range of examples from Europe, North America, Australia and Hong Kong, the chapters show that film emerging from outside the mainstream film industries and within community contexts can lead to innovation in terms of both content and processes and a better representation of the cultural diversity of a range of communities and places. The book aims to situate the community filmmaker as the central node in the complex network of relationships between diverse communities, funding bodies, policy and the film industries.

Sarita Malik is Professor of Media, Culture and Communications at Brunel University London. Her research explores questions of social change, inequality, communities, and cultural representation. Her publications include Representing Black Britain (Sage 2002) and several article on race, representation and the media, and on diversity and cultural policy. Caroline Chapain is a Lecturer in Economic Development at the Business School, University of Birmingham, UK. Her research focuses on topics related to the creative industries, creative clusters, innovation, creative citizenship, creative cities and local and regional economic development and policies. In the last ten years she has undertaken research on these topics within the UK and in collaboration with colleagues across Europe. Roberta Comunian is Lecturer in Cultural and Creative Industries at the Department for Culture, Media and Creative Industries at King's College London, UK. Her research interests include: relationship between public and private investments in the arts, art and cultural regeneration projects, cultural and creative industries, creativity and competitiveness. Her most recent works have been published in Geoforum, Journal of Education and Work, International Journal of Cultural and Creative Industries, and Cultural Trends.