Community-Making in Early Stuart Theatres

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Act III
Admiral's Men
Admiral’s Men
Beaumont
bondings
Burning Pestle
Cary
Category=ATD
Category=DDA
Category=DS
Category=DSB
Category=N
Category=NHD
censorship
censorship studies
Chapman
communal groupings
community-making
drama
Early Modern
early modern drama
Early Modern Textual Culture
Early Modern Theatre
early Stuart theatre community formation
Early Stuart Tragedy
early-Stuart
Eastward Ho
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
ethical controversies
ethical controversies theatre
Fletcher
Fletcher Canon
Fletcher's Tragicomedies
Fletcher’s Tragicomedies
Ford
Iv Ii
Jonathan Hope
Jonson
literary sociology
Massinger
Michael Witmore
Middleton
music
National Biography
networks
oppositions
patronage
patronage networks
PCA Space
Philip Massinger
playwrights
public playhouses
Queen's Revels
Queen’s Revels
Red Bull
Roaring Girl
Sel
Shakespeare
Shirley
Sir John Van Olden Barnavelt
spectators
Stephen Orgel
theatre attendance
theatrical audiences
Tis Pity
Webster
Webster's Tragedies
Webster’s Tragedies
Young Men

Product details

  • ISBN 9780367140502
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Twenty-two leading experts on early modern drama collaborate in this volume

to explore three closely interconnected research questions. To what extent did

playwrights represent dramatis personae in their entertainments as forming, or

failing to form, communal groupings? How far were theatrical productions likely

to weld, or separate, different communal groupings within their target audiences?

And how might such bondings or oppositions among spectators have tallied with

the community-making or -breaking on stage? Chapters in Part One respond to

one or more of these questions by reassessing general period trends in censorship,

theatre attendance, forms of patronage, playwrights’ professional and linguistic

networks, their use of music, and their handling of ethical controversies.

In Part Two, responses arise from detailed re-examinations of particular plays

by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton,

Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart

theatre settings, from the public and popular to the more private circumstances

of hall playhouses, court masques, women’s drama, country-house theatricals,

and school plays. And one overall finding is that, although playwrights frequently

staged or alluded to communal conflict, they seldom exacerbated such divisiveness

within their audience. Rather, they tended toward more tactful modes of

address (sometimes even acknowledging their own ideological uncertainties) so

that, at least for the duration of a play, their audiences could be a community

within which internal rifts were openly brought into dialogue.

Roger D. Sell is Emeritus H.W. Donner Research Professor of Literary Communication

at Åbo Akademi University, Finland.

Anthony W. Johnson is J.O.E. Donner Professor of English Language and Literature

at Åbo Akademi University, Finland.

Helen Wilcox is Professor of English at Bangor University, Wales.