Community Music in Oceania
Regular price
€28.50
Regular price
€38.99
Sale
Sale price
€28.50
A01=Brydie-Leigh Bartleet
A01=Dawn Bennett
A01=Jennifer Cattermole
A01=Melissa Cain
A01=Naomi Cooper
Age Group_Uncategorized
Age Group_Uncategorized
Asia-Pacific music
Author_Brydie-Leigh Bartleet
Author_Dawn Bennett
Author_Jennifer Cattermole
Author_Melissa Cain
Author_Naomi Cooper
automatic-update
B01=Anne Power
B01=Brydie-Leigh Bartleet
B01=Diana Tolmie
B01=Mari Shiobara
B01=Melissa Cain
Category1=Non-Fiction
Category=ACB
Category=AGA
Category=AVA
Category=AVG
Category=AVL
Category=HBJF
Category=HBJM
Category=NHF
Category=NHM
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
music community in Oceania
music traditions in Oceania
Oceanic music
PA=Available
post-colonialism in Oceania
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9780824892562
- Weight: 537g
- Dimensions: 152 x 226mm
- Publication Date: 31 Aug 2021
- Publisher: University of Hawai'i Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Community Music in Oceania: Many Voices, One Horizon makes a distinctive contribution to the field of community music through the experiences of its editors and contributors in music education, ethnomusicology, music therapy, and music performance. Covering a wide range of perspectives from Australia, Timor-Leste, New Zealand, Japan, Fiji, China, Taiwan, Malaysia, Singapore, and Korea, the essays raise common themes in terms of the pedagogies and practices used, pointing collectively toward one horizon of approach. Yet, contrasts emerge in the specifics of how community musicians fit within the musical ecosystems of their cultural contexts. Book chapters discuss the maintenance and recontextualization of music traditions, the lingering impact of colonization, the growing demands for professionalization of community music, the implications of government policies, tensions between various ethnic groups within countries, and the role of institutions such as universities across the region. One of the aims of this volume is to produce an intricate and illuminating picture that highlights the diversity of practices, pedagogies, and research currently shaping community music in the Asia Pacific.
Brydie-Leigh Bartleet is director of the Queensland Conservatorium Research Centre and deputy director (research) and associate professor at the Queensland Conservatorium Griffith University, Australia.
Melissa Cain is researcher and lecturer in arts education at Griffith University, Australia.
Diana Tolmie is lecturer and researcher in music education at the Queensland Conservatorium Griffith University, Australia.
Anne Power is associate professor in education at the University of Western Sydney, Australia.
Mari Shiobara is professor of music education and head of the Department of Music Education and Early Childhood Education at Kunitachi College of Music in Tokyo, Japan.
Melissa Cain is researcher and lecturer in arts education at Griffith University, Australia.
Diana Tolmie is lecturer and researcher in music education at the Queensland Conservatorium Griffith University, Australia.
Anne Power is associate professor in education at the University of Western Sydney, Australia.
Mari Shiobara is professor of music education and head of the Department of Music Education and Early Childhood Education at Kunitachi College of Music in Tokyo, Japan.
