Community Performance Reader

Regular price €192.20
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Akwa Ibom
applied theatre methods
Category=ATD
community arts practices
Community Based Practice
Community Dance
Community Performance
Community Performance Practices
Community Performance Work
Contact Improvisation
Contemporary Societies
cross-cultural theatre practices
curator's exhibitionism
Dense
dialogic community arts approaches
dialogical performance
embodied arts education
eq_art-fashion-photography
eq_bestseller
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eq_nobargain
eq_non-fiction
Follow
Holding
Make Up
Nudd
Parachute
participatory arts research
pedagogical community performance
performance pedagogy
Persona
Petra Kuppers
Planetary Dance
Praise House
Relational Aesthetics
Smoothed
social engagement performance
Toured
Urban Bush Women
USA
Workshop
Young Man

Product details

  • ISBN 9780415392303
  • Weight: 720g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Feb 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond.

Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice.

This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.

Petra Kuppers is a community artist, a disability culture activist and Associate Professor of English, Theatre and Women’s Studies, University of Michigan. She is the author of Disability and Contemporary Performance: Bodies on Edge, 2003, and The Scar of Visibility: Medical Performances and Contemporary Art, 2007.

Gwen Robertson is Associate Professor of Art History at Humboldt State University specializing in 20th century and contemporary art. Her research and teaching interests center on rethinking the role of the arts in contemporary life.