Companion to Islamic Art and Architecture, 2 Volume Set

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Abbasid ornament in Samarra
Abbasid period
aesthetic transmission
Aghlabids
Alhambra
Almohads
Almoravids
amulets
Anatolia
Anatolian principalities
arts of diplomacy
arts of the book
arts of the object
Ayyubids
Baghdad Caliphate
Beirut
Berber dynasties
Cairo
Cairo Caliphate
calligraphic abstraction
calligraphy
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Central Asia
China-Abbasid ceramics trade
city states
colony and nation
comparative approaches
contemporary Middle East
Cordoba Caliphate
court cultures
Deccani Sultanates
Doha
Dubai
early Caliphates
early Islam in east Africa
early modern empires
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essentialism
Fatimids
Fez
figural ornament
globalism and localism
Herat
Iberia
identity
Ilkhanids
India
interregional connections
Iran
Iraq
Islamic archaeology
Islamic architecture
Islamic architecture in China
Islamic art
Islamic Far West
Islamic landscapes
Islamic palaces
Islamic urbanism
Istanbul
Jalayirids
Late Antiquity
magic and talismans
Mamluks
Marrakesh
material culture
medieval Islamic art and architecture
Mediterranean interconnections
metalwork
modernism
Mongols
Morocco
mosques
Mudejar Americano
Mughals
multiculturalism
museums and categories of collecting
North Africa
Nusantara
objects of consumption
Orientalism
Ottomans
Persianate arts
portability and circulation
pre- and early-Islamic Arabia
public sphere
Qajars
Qatar
Qu'ran manuscripts
Renaissance and Reformation
Revivalism
royal to urban patronage
sacred art and spaces
Safavids
Samarqand
Sicily
social and economic life
Sufism
Taj Mahal global empires
textiles and carpets
Timurids
transculturation
Turkmens
Turko-Persian Empires
Umayyads
United Arab Emirates
universal caliphates
urban bourgeoisie
world system

Product details

  • ISBN 9781119068662
  • Weight: 2971g
  • Dimensions: 178 x 254mm
  • Publication Date: 29 Aug 2017
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field.
  • This two-volume Companion showcases more than 50  specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur
  • Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span
  • The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions 
  • The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question
  • The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Finbarr Barry Flood is William R. Kenan Jr. Professor of the Humanities at the Institute of Fine Arts and Department of Art History, New York University. He publishes on late antiquity, Islamic architectural history and historiography, transcultural dimensions of Islamic art, image theory, museology, and Orientalism. His books include The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture (2000), and Objects of Translation: Material Culture and Medieval "Hindu-Muslim" Encounter, (2009), awarded the 2011 Ananda K. Coomaraswamy Prize of the Association for Asian Studies.

Gülru Necipoğlu is Aga Khan Professor of Islamic Art at the Department of History of Art and Architecture, Harvard University. She publishes on architecture and architectural practice, aesthetics of ornament and figural representation, cross-cultural exchanges, and Islamic art historiography. Her books include Architecture, Ceremonial and Power: The Topkapi Palace (1991); The Topkapi Scroll, Geometry and Ornament in Islamic Architecture (1995) which won the Albert Hourani and Spiro Kostoff awards; and The Age of Sinan: Architectural Culture in the Ottoman Empire (2005), winner of the Fuat Köprülü award and the Albert Hourani honorable mention award. She edits the journal Muqarnas and its Supplements.