?A Chance Encounter
?Andrei Rublev
?Battleship Potemkin
?Boris Shumiatsky
?Brother
?By the Bluest of Seas
?Carnival Night
?Chapaev
?Hard to be a God
?Hipsters
?House on Trubnaya
?Ilyich's Gates
?Kuban Cossacks
?Leviathan
?Lovey-Dovey
?My Friend Ivan Lapshin
?New Moscow
?Night Watch
?Secret Mission
?Seventeen Moments of Spring
?Shchors
?She Defends the Motherland
?The Brest Fortress
?The Circus
?The Cranes are Flying
?The Diamond Arm
?The Girl with a Hatbox
?The Return
?The Unsent Letter
?They Fought for the Motherland
?Tractor Drivers
?Trial on the Road
?We are from Kronstadt
?Welcome
Aleksandr Dovzhenko
Aleksandr Shorin
Alexei German
Andrei Konchalovskii
Andrei Tarvkoskii
Andrei Zviagintsev
auteur cinema
blockbuster
Boris Barnet
Category=ATF
Category=KNTC
cinematography
Cold War
costume design
Dmitri Shostakovich
Eduard Tisse
Elem Klimov
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fridrikh Ermler
Gorky Studio
Grigorii Aleksandrov
Igor Savchenko
Iulii Raizman.?Kidnapping Caucasian Style
Iurii Zheliabuzhskii
Ivan Pyriev
Kira Muratova
Kulturfilm
Lenfilm
Leonid Gaidai
Lev Kuleshov
Marlen Khutsive
Mikhail Kalatozov
Mikhail Romm
Nadezhda Lamanova
or No Trespassing
Pavel Tager
post-Soviet cinema
pre-Revolutionary Russia
production design
Russian cinema
Russian identity
Sergei Bondarchuk
Soviet cinema
Soviet musical
Soviet screenplay
St Petersburg movie theatres
Technicolor
VGIK Film Institute
war film
Yakov Protazanov
Product details
- ISBN 9781118412763
- Weight: 1270g
- Dimensions: 173 x 246mm
- Publication Date: 01 Jul 2016
- Publisher: John Wiley and Sons Ltd
- Publication City/Country: GB
- Product Form: Hardback
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A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.
- The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field
- This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions
- The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture
- Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography
- Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Birgit Beumers is Professor of Film Studies at Aberystwyth University (UK). She specialises in Russian culture, especially cinema and theatre. Her most recent publications include A History of Russian Cinema (2009) and Performing Violence (with Mark Lipovetsky, 2009); she has edited Directory of World Cinema: Russia (2010; 2014), The Cinema of Alexander Sokurov (with N. Condee, 2011), Russia’s New Fin de Siècle (2013), and Cinema in Central Asia: Rewriting Cultural Histories (with M. Rouland and G. Abikeyeva, 2013). She is editor of KinoKultura and of Studies in Russian and Soviet Cinema.
