Company We Keep

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A01=Wayne C. Booth
academic
Author_Wayne C. Booth
benefit of fiction
Category=DSA
Category=DSK
dh lawrence
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical critic
ethical criticism
ethical powers
ethical theory
ethics of literature
ethos
extended examples
fiction
jane austen
judgment
literary criticism
literary critics
literary studies
literary theorists
literature scholars
mark twain
morality
narrative
nonfiction
personal good
power of fiction
rabelais
social good
social science
storytelling
theoretical approach
theory
writing fiction

Product details

  • ISBN 9780520062108
  • Weight: 816g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Dec 1989
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
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In "The Company We Keep", Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature. But the questions he asks are not confined to morality. Returning ethics to its root sense, Booth proposes that the ethical critic will be interested in any effect on the ethos, the total character or quality of tellers and listeners. Ethical criticism will risk talking about the quality of this particular encounter with this particular work. Yet it will give up the old hope for definitive judgments of 'good' work and 'bad'. Rather it will be a conversation about many kinds of personal and social goods that fictions can serve or destroy. While not ignoring the consequences for conduct of engaging with powerful stories, it will attend to that more immediate topic, What happens to us as we read? Who am I, during the hours of reading or listening? What is the quality of the life I lead in the company of these would-be friends? Through a wide variety of periods and genres and scores of particular works, Booth pursues various metaphors for such engagements: 'friendship with books', 'the exchange of gifts', 'the colonizing of worlds', 'the constitution of commonwealths'. He concludes with extended explorations of the ethical powers and potential dangers of works by Rabelais, D. H. Lawrence, Jane Austen, and Mark Twain.
Wayne C. Booth (1921-2005) was George M. Pullman Distinguished Service Professor of English at the University of Chicago.

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