Comparativism in Art History

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anthropological perspectives
anthropology
archaeological methodology
archaeology
Art Historical Comparisons
Art Historical Practice
art historiography
art history
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Avinoam Shalem
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Big Tex
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Chinese Sculpture
Christian Marclay
comparative methodologies in visual studies
comparative practice
comparativism
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cross-cultural analysis
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global art historiography
Global Art History
globalism
historiography
Historisches Museum
Hito Steyerl
Humboldt Forum
Hylomorphic Model
Ink Rubbing
Islamic Art
Ittai Weinryb
Jas Elsner
Jeremy Tanner
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Margaret Olin
material culture
material culture theory
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objects
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Richard Neer
Robert Slifkin
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Staatliche Antikensammlungen Und Glyptothek
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Traditional Art History
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Western Art History
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Wu Hung
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Product details

  • ISBN 9781472418845
  • Weight: 700g
  • Dimensions: 174 x 246mm
  • Publication Date: 08 Feb 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields – in very different historical, geographic and cultural contexts – but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline – namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'art history' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.

Jaś Elsner is Humfry Payne Senior Research Fellow in Classical Art and Archaeology, Corpus Christi College, University of Oxford, UK andVisiting Professor of Art and Religion, University of Chicago, USA.