Comparing the Literatures

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A01=David Damrosch
Allegory
Anatomy of Criticism
Author_David Damrosch
Autobiography
Benedict Anderson
Category=DS
Category=DSA
Category=GTD
Chinese literature
Classroom
Close reading
Comparative literature
Cosmopolitanism
Criticism
Edward Said
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erich Auerbach
Essay
Fiction
Finnegans Wake
Franco Moretti
Gayatri Chakravorty Spivak
Genre
Georg Brandes
Hegemony
Herder
Hu Shih
Irony
Jacques Derrida
Jews
Joseph Conrad
Lecture
Lin Yutang
Linguistics
Literary criticism
Literary theory
Literature
Lu Xun
Modernism
Modernity
Murasaki (novel)
Murasaki Shikibu
Narrative
Newspaper
Northrop Frye
Novel
Novelist
Orientalism
Paperback
Paul de Man
Petrarch
Philology
Philosopher
Philosophy
Poet
Poetry
Politics
Postmodernism
Rhetoric
Romanticism
Salman Rushdie
Sanskrit
Satire
Scientism
Short story
T. S. Eliot
The Europeans
Translation studies
Virginia Woolf
Vladimir Nabokov
Western culture
Western literature
World literature
Writer
Writing

Product details

  • ISBN 9780691234557
  • Dimensions: 156 x 235mm
  • Publication Date: 08 Feb 2022
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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From a leading figure in comparative literature, a major new survey of the field that points the way forward for a discipline undergoing rapid changes

Literary studies are being transformed today by the expansive and disruptive forces of globalization. More works than ever circulate worldwide in English and in translation, and even national traditions are increasingly seen in transnational terms. To encompass this expanding literary universe, scholars and teachers need to increase their linguistic and cultural resources, rethink their methods and training, and reconceive the place of literature and criticism in the world. In Comparing the Literatures, David Damrosch integrates comparative, postcolonial, and world-literary perspectives to offer a comprehensive overview of comparative studies and its prospects in a time of great upheaval and great opportunity.

Comparing the Literatures looks both at institutional forces and at key episodes in the life and work of comparatists who have struggled to define and redefine the terms of literary analysis over the past two centuries, from Johann Gottfried Herder and Germaine de Staël to Edward Said, Gayatri Spivak, Franco Moretti, and Emily Apter. With literary examples ranging from Ovid and Kalidasa to James Joyce, Yoko Tawada, and the internet artists Young-Hae Chang Heavy Industries, Damrosch shows how the main strands of comparison—philology, literary theory, colonial and postcolonial studies, and the study of world literature—have long been intertwined. A deeper understanding of comparative literature's achievements, persistent contradictions, and even failures can help comparatists in literature and other fields develop creative responses to today's most important questions and debates.

Amid a multitude of challenges and new possibilities for comparative literature, Comparing the Literatures provides an important road map for the discipline's revitalization.

David Damrosch is the Ernest Bernbaum Professor of Comparative Literature and director of the Institute for World Literature at Harvard University, and a past president of the American Comparative Literature Association. His many books include What Is World Literature? (Princeton), the coedited Princeton Sourcebook in Comparative Literature, The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh, and We Scholars: Changing the Culture of the University.

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