Compendium of Image Errors in Analogue Video

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A01=Agathe Jarczyk
A01=Joanna Phillips
A01=Johannes Gfeller
A01=Swiss Institute for Art Research
Age Group_Uncategorized
Age Group_Uncategorized
AnalogueVideoArt
AnalogueVideoTapes
Author_Agathe Jarczyk
Author_Joanna Phillips
Author_Johannes Gfeller
Author_Swiss Institute for Art Research
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Category1=Non-Fiction
Category=GLZ
Category=GM
COP=Switzerland
DataSheets
Delivery_Delivery within 10-20 working days
DVD
eq_isMigrated=2
eq_nobargain
ImagesErrors
Language_English
PA=Available
PreservingCollections
Price_€50 to €100
PS=Active
softlaunch
Videotapes

Product details

  • ISBN 9783858813817
  • Weight: 1690g
  • Dimensions: 220 x 280mm
  • Publication Date: 30 May 2013
  • Publisher: Scheidegger und Spiess AG, Verlag
  • Publication City/Country: CH
  • Product Form: Hardback
  • Language: English
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Preserving collections of analogue video art is no easy task. Not only must collection caretakers ensure that their magnetic tapes are appropriately catalogued and stored, they must also properly inspect the content of the analogue videotapes in order to make an informed assessment of their condition. This is the only way to prevent unintended image errors - caused by a damaged videotape or video player, or by simple operator error - from being irreversibly merged with the artist's original image content during the digitisation process and thereby permanently compromising the artwork. This publication aims to provide caretakers of our audiovisual artistic and cultural heritage with a general guide to identifying, viewing, cataloguing and assessing the condition of analogue videotapes. The symptoms and causes of 28 common image errors are described in detail, and further illustrated by video sequences on an accompanying DVD. A technical chapter explains the basic principles of video technology, while an art history chapter discusses the deliberate use of image errors as creative tools in analogue video art. Text in English & German.

Johannes Gfeller is head of the master program for the conservation of new media and digital information at Stuttgart State Academy for Art and Design in Stuttgart, Germany. Agathe Jarczyk is a free-lance curator and restorer in Bern, Switzerland. She specialises in modern materials and media, working for various Swiss and international museums and collections. Joanna Phillips is curator and restorer for contemporary art at Solomon R. Guggenheim Museum in New York and an expert in conservation of video, audio, film and computer-based works of art.

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