Composing Audiovisually

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A01=Louise Harris
Analysing Musical Multimedia
Apperceptive Act
Audiovisual Artefacts
Audiovisual Composition
Audiovisual Experience
Audiovisual Installation
Audiovisual Modes
Audiovisual Objects
audiovisual perception frameworks
Audiovisual Spaces
Audiovisual Work
Author_Louise Harris
Category=ATF
Category=AVSD
Category=UYU
contemporary art education
Creative Artefacts
De Groot's Work
De Groot’s Work
Dense
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Expanded Cinema
experimental film studies
Higher Music Education
Intentional Layer
media theory
Oskar Fischinger
perceptual analysis
Personal Arts Practice
Playback
Questionnaire Respondents
sensory integration
Sheffield University
Term Audiovisual
transdisciplinary research
Video Art Music
Visual Music
Wo

Product details

  • ISBN 9780367346911
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

Louise Harris is an audiovisual composer and Senior Lecturer in Sonic and Audiovisual Practices at The University of Glasgow. In her creative work, she specialises in the creation and exploration of audiovisual relationships utilising electronic music, recorded sound and computer-generated visual environments in fixed media, performance and large-scale installation contexts.

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