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Composition & Photography
A01=Harold Davis
abstraction
Age Group_Uncategorized
Age Group_Uncategorized
Author_Harold Davis
automatic-update
Category1=Non-Fiction
Category=AJG
Category=AJT
combinations
composing
composing a photograph
composition
construction
COP=United States
creating compelling
Delivery_Delivery within 10-20 working days
design
designing a photograph
dynamic photos
emphasis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimenting
framing
landscape
landscape photography
Language_English
lines and circles
patterns
perspective
photographic design
photography and composition
photography and design
photography and framing
photography and perspective
Price_€20 to €50
repetition
softlaunch
subject matter
symmetry
vanishing points
Product details
- ISBN 9781681987439
- Dimensions: 229 x 229mm
- Publication Date: 29 Apr 2022
- Publisher: Rocky Nook
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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Own composition, use composition, and make composition your own in your photographs! Of all the magical elixirs that make up a successful photograph, composition is perhaps the most fundamental, and at the same time the most elusive. What makes a composition good ? It s hard to define exactly, but we instinctively recognize good composition when we see it. There is an undeniable emotional response when a composition resonates with and complements the subject matter of an image. But traditional attempts to define good composition and to pass on rules for good compositional construction are often doomed to failure. The truth is, there are no hard and fast rules. Rules eliminate experimentation and spontaneity, which are crucial for creating compelling, dynamic, and exciting compositions. The best compositions contain an element of the unexpected. Expect the unexpected! is perhaps the only viable rule of composition. To create exciting compositions, you must have a willingness to embrace serendipity and change as part of your artistic practice. After all, composition is a process, not a result. In Composition & Photography, photographer and bestselling author Harold Davis teaches you how to perceive patterns and abstractions and incorporate them into your image-making process. If one of the goals of photography is to show viewers things that are new, or things they haven t seen before, or things they have seen many times but need to see anew, then it s with the thoughtful and considered use of composition that you do that. In this book, you ll learn how to reduce your subject matter to the fundamentals, and to show familiar subjects in unfamiliar, novel ways. Harold covers topics and themes such as: ? Lines and circles ? Rectangles ? Combinations ? Repetition ? Symmetry and asymmetry ? Abstraction ? Entering and exiting ? Vanishing points and perspective ? Emphasis ? Designing within a frame ? Creating order from chaos. Composition & Photography will help you find the tools and visual vocabulary to creatively design your photographs. Regardless of the genre and kind of photography you practice, you ll learn to create powerful compositions that incorporate structure and form into your work in ways that best support your images. Along the way, Harold shows and discusses his own work relating to each compositional element or theme he s exploring. And featured throughout the book are exercises about flexibility and process, designed to spur your creativity and help you begin an internal creative discussion.
Harold Davis is a bestselling author of many books, the developer of a unique technique for photographing flowers for transparency, a Moab Master, and a Zeiss Ambassador. He is an internationally known photographer and a sought-after workshop leader. Find him online at www.digitalfieldguide.com.
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