Concept of Irony, with Continual Reference to Socrates/Notes of Schelling's Berlin Lectures
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A priori and a posteriori
A01=Soren Kierkegaard
Analogy
Antithesis
Anytus
Arbitrariness
Author_Soren Kierkegaard
Callicles
Category=QDH
Cebes
Chaerephon
Cognition
Concept
Conscience
Consciousness
Determination
Dialectic
Editorial
Empiricism
Enthusiasm
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Ethics
Existence
Explanation
Glaucon
God
Good and evil
Gorgias
Idealism
Indiana University Press
Irony
Jacques Derrida
Kantianism
Lecture
Ludwig Tieck
Meletus
Morality
Multitude
Objectivity (philosophy)
Pantheism
Pathos
Phaedo
Phaedrus (dialogue)
Phenomenon
Philosopher
Philosophy
Plato
Polemic
Polus
Positivism
Potentiality and actuality
Precognition
Principle
Protagoras
Reality
Reason
Republic (Plato)
Socrate
Socratic
Socratic method
Sophism
Sophist
Soren Kierkegaard
Standard English
Subjectivity
Syllogism
The Philosopher
Theaetetus (dialogue)
Theory
Theory of Forms
Thought
Treatise
Universality (philosophy)
Writing
Product details
- ISBN 9780691020723
- Weight: 482g
- Dimensions: 140 x 216mm
- Publication Date: 16 Feb 1992
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
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A work that "not only treats of irony but is irony," wrote a contemporary reviewer of The Concept of Irony, with Continual Reference to Socrates. Presented here with Kierkegaard's notes of the celebrated Berlin lectures on "positive philosophy" by F.W.J. Schelling, the book is a seedbed of Kierkegaard's subsequent work, both stylistically and thematically. Part One concentrates on Socrates, the master ironist, as interpreted by Xenophon, Plato, and Aristophanes, with a word on Hegel and Hegelian categories. Part Two is a more synoptic discussion of the concept of irony in Kierkegaard's categories, with examples from other philosophers and with particular attention given to A. W. Schlegel's novel Lucinde as an epitome of romantic irony. The Concept of Irony and the Notes of Schelling's Berlin Lectures belong to the momentous year 1841, which included not only the completion of Kierkegaard's university work and his sojourn in Berlin, but also the end of his engagement to Regine Olsen and the initial writing of Either/Or.
